This is perhaps the most dangerous screenwriting lecture you will ever hear. That in fact, your voice is the only thing that a producer can buy. The truth is if a producer wants to buy a well executed, well crafted script with a good hook, there are thousands of working screenwriters from whom they can buy those scripts. What do you want the script to be?
It used to be you could sell a script off of an idea. Lars and the Real Girl is the worst idea ever, right? A man falls in love with a sex doll and everybody accepts the sex doll as if she were real, and it changes his life and brings the whole town together.
In fact, the bad version of that movie was already made! Instead, Lars and the Real Girl is a serious drama…about a guy who falls in love with a sex doll. But look at the execution of that movie.
That movie is incredibly moving. He goes through every phase of a relationship with a sex doll. So if you want to pitch a script, you have to understand what the Producer is buying. Because the genre experience is the reason people go to movies. In fact, the genre experience may be only reason people go to movies is for a genre experience.
So what is a genre experience? A genre experience is the feeling a movie gives you. If you go to a Romantic Comedy, you are going to get the feeling that love is possible. Originally, in When Harry Met Sally, they ended as friends. They want the genre experience of love is possible. Charlie Kaufman writes romantic comedies.
Now, I love Synecdoche, New York. Synecdoche, New York does not make you feel like love is possible. So, people go to movies seeking genre experiences.
If you give them the genre experience that they want, you can get away will almost anything else. They care about the zombies. Just think Dawn of the Dead.
The Producer is buying the genre experience of your movie because the genre experience is what the audience is shopping for when they come to see your movie. Think about a movie like Requiem for a Dream and how that makes you not want to be a person anymore.
There are all kinds of feelings that people come to movies looking for. And the one you deliver should ultimately be the same one you felt when you were writing it!
The genre experience is not something you impose upon your movie. The genre experience is the primary thing the audience is buying, which is the primary thing the Producer is buying.
If every time you went to see a movie, you actually got the genre experience you were promised, then that would be the only thing a producer would need. I make romantic comedies. You can go to see an action blockbuster and not feel your adrenaline pumping. You can go see an independent film and not have your intellect stimulated in any way.
And that sucks too!
What makes this one likely to be good? Want to learn to pitch like a professional? Learn how to write a logline that captures both the hook and the genre experience of your screenplay, and then make some new friends and practice your pitching skills at our free pitch party immediately afterwards.
As a friend of Jacob Krueger Studio, you get half off when you sign up in advance. Just use discount code: A Video-on-demand version of the seminar will be available on September 18th.Writing a screenplay based on a book, comic, video game, or toy.
by Ashley Scott Meyers. draft or can you write your draft and then present it to the retainers of that said property to see if they like your pitch and will give you the “thumbs up” to try to get the product produced?) Writing A Screenplay Logline;.
How To Pitch A Movie – A Movie Pitch Example You know (or you’re learning) how to write a screenplay – but do you know how to pitch a movie?
What you’re about to see is the first phase of researching and developing a movie pitch. THEN, once again, pull out of that detailed writing and back to the broader beats to wrap up your pitch. Being able to distill your page screenplay into a handful .
VIDEO – How to Pitch YOUR Script. September 8, VIDEO – How to Pitch YOUR Script. VIDEO – What Makes a Character Likable? if you’re writing a movie about consumerism that happens to have zombies in it or you write a zombie movie that happens to be about consumerism, great! The producer doesn’t care about the consumerism.
They. Screenwriting, also called scriptwriting, is the art and craft of writing scripts for mass media such as feature films, television productions or video games.
It is often a freelance profession. Screenwriters are responsible for researching the story, developing the narrative, writing the script, screenplay, dialogues and delivering it, in the. How Writing Concept First Will Help Your Script & Pitch By Marilyn Horowitz. The classes that I taught were about the writing aspects of the process, not the pitching part, yet commercial “hook” that will help you successfully pitch the screenplay.